'I am telling you that it's overestimated that everybody falls in true love.' 'It happens very rarely when two people really fall in love. 'And if that happens, the last thing that should be on anybody's mind is religion, gender, caste, colour and creed.' 'None of that should be relevant. It should be all about just two human beings.'
Rang Rasiya is not a consistent film, but one that tells a story of a pioneering artist and visionary, a story decidedly worth telling, says Raja Sen.
We decided to have some fun imagining potential phobias of Bollywood's biggest stars and here are the results.
Decoding the Sanju myth, baking for the Avengers and more in Sukanya Verma's Super Filmi Week.
'It is intense, riveting, clever, dark, sad, lyrical, heartfelt, relevant and understated,' says Sukanya Verma.
Tamil film Kaaviya Thalaivan is a thoroughly enjoyable experience, says S Saraswathi.
'I want to know what grave crime I committed, and why a section of the media was having so much fun at my expense,' asks Shweta Basu Prasad.
Subhash K Jha remembers conversations with the legendary actor who the world lost on Friday.
Sreehari Nair attempts to bring you up-close the pleasures of Javed Akhtar's poetry.
There are quite a few reasons, and the main villain was not Chennai Express.
Demonte Colony is a crisply written, well executed horror thriller that will keep you glued to the screen.
The Hundred-Foot Journey treats its Indian characters with respect, discovers Aseem Chhabra/Rediff.com
'Great Grand Masti belongs to a super successful franchise and are Hindi cinema's best and most loved films. This film is much more on the naughtier, horror and comedy side.' Great Grand Masti heroine Urvashi Rautela discusses her latest film.
Befikre is a colossally stupid film, says Raja Sen.
Raja Sen says What The Fish is an abysmal effort.
'Article 15 is not the work of a hack, or of someone merely scooping a plot out of newspaper headlines.' 'It is a well-researched, clear-headed movie; but its findings have a purpose,' says Sreehari Nair.
'I know this movie will be a superhit -- not because it's a Rs 600 crore budget or because we worked hard for more than three years on it.' 'It's because some movies have magic and some don't.' 'This one has that magic.'
Inferno is a yawn, warns Raja Sen.
2 States, for all its modern touches, is a very regressive film, deeply rooted in old fashioned values that surely make no sense in the India of 2014.
'The entire journey was beautifully nourished and I was very lucky that Lion came out the way it did. Otherwise, I would have really regretted it.' Priyanka Bose is ready to take her film Lion to the Oscars.
The top posts on social media from your favourite Bollywood celebrities.
Koothara in colloquial terms means something despicable. Luckily, this film does not live up to its title.
'I feel so happy. I wanted my career to go like this,' Layanya Tripathy tells Radhika Rajamani.
'Live and be joyful for what you have because one day, it will be all gone.'
Sarod brothers Amaan and Ayaan Ali Bangash are waiting to take their creation, the Erod, to the world.
'The real problem that has affected Tarantino's films is not their amorality. On the contrary, it's their misplaced morality.' 'The basic pitches for his movies, off late, tackle such pre-resolved issues, that they don't quite allow his pop-culture sensibilities to hit a crescendo and instead reduces them to trinkets in service of broad movie prototypes.' 'Which means that neither history nor cinema triumphs.'
'I have an absolutely professional relationship, nothing personal, with Amitabh Bachchan.' 'I am the only person in the industry whom he never calls for home parties or festivals. Unless we have work, we don't call each other.'
The actress-filmmaker and UN ambassador turns 40 on June 4.
It's time to move on from fights and dances and clich, says Kshmaya Daniel.
'There is nothing more beautiful than celebrating with people who make you what you are.'
A look at the top tweets from your favourite Bollywood celebrities.
'It was fun trying to regulate ourselves and keep it in the family zone and yet, be tongue-in-cheek.'
Raman Raghav 2.0 is unlikely to be remembered as one of Anurag Kashyap's finest movies.
'It's not easy playing a ghost.'
'There are times I have been rejected at the first stage of the film.' 'Also, accepted first and rejected later, along with when I was almost there, but the film did not happen.'
'If ever there was a film that begged to be celebrated on the big-screen -- heck, that begged viewing with 3D glasses -- it is this one, a sensational ride that throws you, the viewer, into the deep-end and drags you along for a chained and scorched and unbelievable ride,' says Raja Sen.
Take a look at the list.
